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Edgar Ngelela presenting his topic (Snap by Faraji Kakingo) |
5 February 2013
, By Iman Mani, Source: Daily News
THERE is what it takes
locally to reach the required standards in making a good and
professional movie. The problem is that people don't want to reach these
standards, the Assistant Lecturer at the University of Dar es Salaam's
School of Journalism and Mass Communication, Edgar Ngelela, said.
For the country's true potential to be seen, he maintains, there has
to be a move away from approaching movie-making in a relaxed manner and
the adoption of a more professional one by practitioners. Hearing these
requirements for making a good movie brought the independent Beauty
Consultant, Fidelis Madaha, to reality.
He told the 'Daily News' that he found the entire presentation
challenging, because now he knew what it would take for him to move into
the makeup section of a production crew on a film-set.
In fact, Ngelela's presentation, at the Arts Council's (BASATA)
Jukwaa la Sanaa platform revealed to him the high degree of planning
required before setting out shooting a film. Now Madaha fully
understands why he will have to go back to study specifically for this
area before he can stand a chance of fulfilling his dream. Ngelela had
explained the three phases to making a movie.
This was how Madaha came to understand the first phase,
preproduction, has to be handled to an acceptable level before moving
onto the production and postproduction ones respectively.
In conversation with the 'Daily News' after the presentation he
explained that both members of his establishment and the weekly meeting
organisers thought this topic suitable for this platform because they
wanted to stimulate a change in the chain of local movie production.
"We had noticed that most people do not concentrate on the
preproduction stage, but actually focus much on production. They don't
know much about the preparation that will make the production to be
something valuable to be watched.
So by the end of the day you see this level of Bongo movies where the
graph is not coming up but remains stagnant and flat," Ngelela
clarified. He directed those present, who wanted to take on this
challenge to the Tanzania Film Training Centre (TFTC), here in Dar es
Salaam, as the place where locals can be trained to be different actors,
who bring out what a director wants them to.
There are mistakes which are made here that need to be ironed out
first, he said, for the end product to be of a higher quality. Whereas
he has no objection to radio plays, he does feel it's wrong to handle a
film-set as if it's being broadcasted on the radio.
He finds that it is often forgotten in local circles that movies are
based on action, so the emphasis is on what is being seen at a
particular time and not what one imagines. "The script should not be
like that of a radio. We have scripts that have a lot of dialogue, which
makes them resemble something for radio, which you only have to listen
to know what is happening.
On the screen you're not only listening, you're listening, while at
the same time you're watching, so you're getting everything at the same
moment. So there has to be a difference," he specified. On a personal
level he has reduced the number of local movies he watches because of
them being so limited.
He singled out the recently released "Chumo" as being one of the
better local movies. Another is "Chungu" that has been done and cuts
across the mistakes that are usually met in too many local productions,
he finds.